![]() Nor, heralded by perfunctory handshake and a botched attempt to relax his frown muscles, does he slip into interview mode like a comfy pair of carpet slippers. He relaxes also when confronted by photographer and punk-era veteran Pennie Smith, though the on-camera Weller smile remains as elusive as ever. He derives no pleasure from making videos, or indeed any form of self-promotion, but the reassuringly familiar presence of his old chum, director Pedro Romahanyi, makes the day relatively painless. Installed in a grotto-like doorway under the cameraman's light-bouncing canopy, Weller strums an acoustic guitar and mimes to this gloomy yet oddly addictive bucolic lament. Clambering over stiles and wading through long grass, we make our way to a ruined Jacobean manor house whose roofless and crumbling walls have been reclaimed by the trees of old England. ![]() It is here he recorded his September-released second solo album, Wild Wood, and he's back to shoot the promotional video for the title song. We are at the Manor, the residential recording studio formerly owned by Richard Branson and now an EMI asset, an oasis of rural repose in deepest Oxfordshire that Paul Weller has almost come to feel is his second home. The tan, he jests, healthily confirms the popular belief that here is a white guy who wishes he were black. The desert boots are of a hue so subtle that they must have cost a fortune, while his sawn-off Small Faces haircut betrays the golden highlights of recent Spanish weekend break. He is tall, reed-slim and sheathed in navy cords and skinny-ribbed T-shirt. ![]() This was the main highlight from the LP, which also featured appearances from Noel Gallagher and Stereophonics frontman Kelly Jones.Reading on mobile? Click here to view Wild Wood videoĬalculated by mathematicians to be no less than 35 years old, Paul Weller in person appears to defy this fact by looking exactly as he did when he broke up the Jam over 10 years ago. This is the fourth track from Paul's sixth solo album Illumination, released in 2002. That was the first time, in the early '90s, when I was finding my feet again." 7. The album was seen as Paul returning to his 'roots', with him later saying: "I hadn't been down to Woking in a long time. ![]() This was the third single from Paul's self-titled debut solo album in 1992. "Writing it was easy in a sense because all those images were at hand, around me." 6. "I was in London by the time I wrote 'That's Entertainment'," Paul said later. Such was the popularity of The Jam at the time, this 1980 song reached the UK top 40 on import sales alone, as it was never actually released as a single. It has been covered by many artists over the years, ranging from Randy Crawford to Beyonce to Seal.īillie Rae Calvin wrote the song with Barbra Streisand in mind, but producer Norman Whitfield took it for his label’s group instead. Paul covered this 1978 Rose Royce track for his covers album Studio 150 in 2004. Taken from their debut album, this romantic tune is arguably their most famous song. 'You're the Best Thing' (with The Style Council)Īfter leaving The Jam, Paul took on a far more soulful sound with his next band The Style Council. The album version was an acoustic number, but he also released a Sheared Wood remix which contained a backing beat.īonus fact: Max Beesley appeared on the album as a percussionist before he found fame as an actor. The title track from Paul's second solo album, this was also a top 20 hit. ![]() But you can interpret it whichever way you want”. "Ironically, it’s really about unattainable love. ![]()
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